How to build a low-power, multi-channel power amp

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Hi everyone,

I am currently looking for a fairly peculiar power amp for an acoustic laboratory:

- as many channels (i.e., >= 16) with as little form factor as possible
- relatively low power output/channel (i.e., < 10W/channel @ 4-8 Ohm)
- repeatable / time-invariant output (as this amp is supposed to drive small piezos or low-power loudspeakers for an acoustic laboratory, it is crucial that the gain is constant in time and preferably also across channels (definitely necessary)
- ideally with a frequency response as flat as possible from ~500Hz - 10 kHz (not strictly necessary)
- ideally with a variable gain (not strictly necessary)
- Edit: a very low cross-talk between channels is also very important

Does such a system already exist? If so, can someone point me in the right direction, please?

If it does not exist: Is it possible to construct such an amplifier in a reasonable time-frame (e.g., within a few weeks)?

Thanks a bunch,

Teddy
 
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Hi everyone,

I am currently looking for a fairly peculiar power amp for an acoustic laboratory:

- as many channels (i.e., >= 16) with as little form factor as possible
- relatively low power output/channel (i.e., < 10W/channel @ 4-8 Ohm)
- repeatable / time-invariant output (as this amp is supposed to drive small piezos or low-power loudspeakers for an acoustic laboratory, it is crucial that the gain is constant in time and preferably also across channels (definitely necessary)
- ideally with a frequency response as flat as possible from ~500Hz - 10 kHz (not strictly necessary)
- ideally with a variable gain (not strictly necessary)
- Edit: a very low cross-talk between channels is also very important

Does such a system already exist? If so, can someone point me in the right direction, please?

If it does not exist: Is it possible to construct such an amplifier in a reasonable time-frame (e.g., within a few weeks)?

Thanks a bunch,

Teddy

I think this satisfies your requirements. Not sure about the delivery time though.

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...crucial that the gain is constant in time and preferably also across channels

This is a Solved Problem. Back in the 1920s the telephone company was stringing wires coast to coast and had hundreds of repeater amps to male-up line losses. If amps were 1dB out of gain spec the line would have + or - 100dB of gain error-- unusable. Of course trims were done (even automatic compensation for average temperature over the line segment) but it was also essential to be able to swap-out amps to restore a failed line without careful calibration.

Negative FeedBack moves 99+% of the gain accuracy from dubious tubes (transistors) onto (generally) the ratio of a pair of resistors which can be as perfect as desired. While formerly we might select 5% tolerance resistors for <0.5dB accuracy, today 1% resistors are dirt cheap, and some have better tempco than your lab technicians. Several dozen pair of excellent resistors may cost you 20 bucks.

There are several amp-chips in that power range, and most can be gain-set with two resistors.

How long? I been building a long time, and a 1-channel amp project was on my bench over a year. Lot of tedious wires (and lots of more pressing projects).

...- ideally with a variable gain (not strictly necessary) ...

Well, do you want FIXED gain or variable gain? If there is a knob, it will be bumped. If your (perhaps digital) source can be level-set with a file, that's probably more "constant" than any knob.
 
Something like an LM1875 or LM3886 running on a ±15 V supply would be able to provide 10-15 W.

Your main challenge will be driving the piezoelectric drivers as they tend to be rather capacitive.

For someone with significant circuit design experience, a few weeks of design time is a bit aggressive but not impossible. You'll need to add a few weeks for circuit board manufacturing and assembly. Then add a chassis.

Tom
 
I'd suggest LM675 if low gains are what you're after (its a lower gain capable version of LM1875 if I recall)


I once looked at an ideal like this a 10+ channel amplifier per stereo channel in order to power a line array with multiple channels of DSP time alignment - as apposed to the simplified line arrays often seen here.
 
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