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    Building, troubleshooting and testing of these amplifiers should only be
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    the safety precautions around high voltages.

My personal interpretation of the Baby Huey with EL34

Hi, after the request of @OldHector , I post here my own version of the Baby Huey with EL34 (that fits well with KT77 and other tubes).
I will also post some guidelines for other tubes like 6550 (I would avoid KT88 because the original pcbs have the sockets too close for KT88).

Let's start with a bit of hystory: this kind of amps have ultralinear and Schade feedback combined.

Schade original feedback (1938) can be found here:
https://www.dos4ever.com/uTracer3/Schade.pdf

Crowhurst reposted that kind of anote-anode feedback in 1952 here:
http://www.tubebooks.org/Books/Crowhurst - Audio Handbook No2 - Feedback 1952.pdf

Yves Monmagnon posted the PP Schade feedback (and phase inverter supply) in pentode configuration plus conventional gnfb here:
http://www.dissident-audio.com/PP_ECL86/Page.html

The EL84 development has been done in 2006 by @gingertube here using 40%UL and Schade feedback:

The EL34 version has been started by bandol (RIP) in 2018 here with 40% UL and Schade feedback:

Here I posted a similar thread with noted on the EL84 version:

Here I will report my takes on the EL34 version, but before a small introduction on Schade feedback:
Numerous tests have been done during the last 90 years, but just to report real measurements, I link some sources:

One is Broskie in 2001:
1745763407639.png

https://www.tubecad.com/march2001/


One is Bertola with his plts on Schade feedback only.
in 2013 he has tested on the curve tracer the 807a ( https://frank.pocnet.net/sheets/136/3/307A.pdf ) showing how Schade alone can triodify the curves:
1745763307846.png

source: https://www.bartola.co.uk/valves/2013/03/16/307a-dht-in-triode-and-schade-feedback/#more-1331

Some italians have done tests on the curve tracers too in 2021:
1745763757346.png

source: https://www.sb-lab.eu/schadeode-alternativa-ultralineare-triodi-virtuali/

There are many others curve tracer plots, but I will only report the ones above.
 
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I will use, as a reference the schematic share by Bandol on the first post of the original EL34 thread:
https://www.diyaudio.com/community/attachments/schema-el34-rev-3-12-july-2018-pdf.701184/

First of all, I don't use the version with the dedicated pcb for PSU, because I personally don't find it very useful based on my experience:
the negative rail voltage regulation is not strictly needed because all negative supplies pass through cascoded CCS, so highest possible noise rejection.
Low voltage positive supply could benefit from a 7824, but even without it I've found it not noisy at all.

Looking at the Mullard datasheet of EL34 ( https://frank.pocnet.net/sheets/129/e/EL34.pdf ), I've chosen to work at 23%UL for different reasons.
  1. Allows to get some more power compared to the 40% UL;
  2. Requires less swing to drive it;
  3. Works better at higher voltages;
  4. It ensures a good reduction of internal resistance of the tube;
  5. I've been very happy with 23% for EL84, and I wanted to use it for EL34 too;
  6. It has an input capacitance similar to the pentode, so easier to drive;
  7. There's more voltage on the phase inverter, that helps with linearity.
So I decided to work at 460V B+ with 6.6 kOhm Raa and 23% UL plus a stronger Schade feedback.
I will then talk later on about a second feedback I applied, but it would be off-topic here.

About R33 and R38:
to fully drive the EL34 I need around 67 Vpp up to ten times (to be conservative) the bandwidth, so 200 kHz, so slewrate will be:
2 x pi x f x V = 2 x 3,14 x 200 kHz x 67 = 84 V/us

One EL34 has an input capacitance of 15 pF.

C = i x dt / V
dV/dt = 84 V/us

then
15 pF = i / slewrate

so
i = 15 pF x 84 V/us = 1.26 mA

The current of the CCS is 0,7 / R33 (or R38), so we'll need that resistor to be less than 1.5 kOhm. I will use 330 Ohm.

Powerdrive AC voltage supply
Being the negative side of the PI's CCS connected with the negative rail of the Powerdrive circuit, the voltage is set by this one at 3 times the bias voltage.

So for a EL34 amp with approximately -33 Vdc it will be around -100 so, dividing by squared root of 2, a 80 Vac winding is needed to supply it (it's called BIAS on the pcb).

About R16 and R17:
On the BOM and the PCB they are shown as 15 kOhm and 10 kOhm respectively.
The guideline is to keep the current of the led of the PI's CCS around 2 mA.
To improve the CCS, R17 can be sostitued with a second red led. R16 will then be 47 kOhm.
The table here below can be followed for different negative supplies:

Code:
B- [V]    R17              R16 [kOhm]
15    red led        5,8
20    red led        8,3
25    red led        10,8
30    red led        13,3
35    red led        15,8
40    red led        18,3
45    red led        20,8
50    red led        23,3
55    red led        25,8
60    red led        28,3
65    red led        30,8
70    red led        33,3
75    red led        35,8
80    red led        38,3
85    red led        40,8
90    red led        43,3
95    red led        45,8
100    red led        48,3
105    red led        50,8
110    red led        53,3
115    red led        55,8
120    red led        58,3
125    red led        60,8
130    red led        63,3
135    red led        65,8
140    red led        68,3
145    red led        70,8
150    red led        73,3

About R3 and R4:
On the BOM and the PCB they are shown as 1 kOhm, but this is quite low as a value.
The old guidelines for triodes were to use 8/gm to set the grid stopper value, so with a 12AX7 which gm is 1.6 mA/V the value would be around 5 kOhm. In my guitar amps I always use at least 10 kOhm because gm of the tubes goes down with age, and I want to be sure there are no issues even when tubes are almost gone.
With an avarage value of 12AX7's input capacitance (Miller included) in the order of 150 pF, 10 kOhm gives a low pass filter with -3db point at 106.1 kHz. I would say it's plenty acceptable.
IMPORTANT NOTE: carbon comp here is the best choice, because they are the resistors with lowest capacitance and inductance, and that is what is needed in this position. I used carbon film, the second place in the choice.

About R7 and R8:
In the BOM they are 600 mW resistors, but they need to be 1 or 2 Watts, because of the voltage they see across them (remember that they are connected to the shunt feedback system that is directly connected to the primary of the output transformer.
Having higher B+, I can use higher values here without going into grid current area. I indeed use 270 kOhm to further improve linearity and gain of the phase inverter.

About R14 and R15:
On the pcb they are shown as 270 Ohm, but I will follow datasheet safer value of 1kOhm.
 
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Output Transformer:
Looking at this document: http://www.oestex.com/tubes/Rudolf Moers - Appendices.pdf
And this one: http://primarywindings.com/wp-content/uploads/2017/04/Mullard-Circuits-for-Audio-Amplifiers.pdf (page 22-23)
However, Table 1 shows that there is little benefit to be achieved in respect of distortion by increasing the common-winding ratio beyond 0.2 and, because of the greater power-handling capacities possible, the circuits described in this book which use distributed loading are designed for output transformers having 20 % of the primary winding common to the anode and screen-grid circuits.

About R13
I tried different values here, and at the end I used 39k that worked best for all listenings.

About R18
I use 620 Ohm because that way current through the two triodes can be higher but still the 12AX7 will be far from grid current zone (with that tube it starts at around Vgk=-0,9V).
 
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I have Baby Huey octal and EL84 boards and I'm hoping to get them built sometime this year. Looking at the schematic I find that the mosfets in the power drive circuit are NLA, at least at Mouser, but listed as no longer manufactured on DigiKey. I can order them from DigiKey but would rather use something that is more likely to be available for a little while. Is there a good substitute that anyone has used?
Thanks
 
In threads involving "Schade feedback" almost always missing is any thought about the effect this type of feedback has on the input impedance of the power tube involved.

See for an explanation of this effect pages 396 to 399 of this book:

Fundamentals of Radio Valve-Technique, Deketh, Philips, 1949

The conclusion of this explanation is that applying this type of feedback to a triode in the stage preceding the power tube could very well be a bad choice (since the load for AC this triode sees is its plate resistor paralleled to the input impedance of the power tube).

Note that in the reference linked to in post #1 in this thread, the "Schade feedback" is applied to the secondary of an interstage transformer. So, by choosing an appropriate transformer ratio, the loading of the driver can be made right.

But the majority of examples I see of "Schade feedback" on this, and many other forums, has a triode driving a power tube without an interstage transformer with a correct ratio to deal with the above.

Like explained in the passage in the book I linked to: Use a pentode as a driver when not using an interstage transformer.
 
@Robert H. Gribnau
thanks for the link.

The load of the previous stage is very clear to everyone who has ever used Schade feedback.
Every feedback has his own drawbacks, and the limit in this kind of feedback is the capability of the previous stage to drive a low impedance.
That's why it is usually used with 12AT7 or similar tubes.

In this specific case the EL34 anode swings approximately from 390 to 510 V with g1 swinging from -43 to -32 V. That's a gain of -10,9x.
The 12AX7 works on 270k + 47k with around 750 uA per side, so its anode is at around 210V.
The center of the 39k has no signal, because on both sides we have a signal of same amplitude and opposite phase (hyp: no distortion).
This makes a voltage divider from the EL34 anode that is 47k to 19,5k, so around 1/2,41x.
So the anode of the 12AX7 sees {(270k + 47k||19,5k)/[(10,9/2,41)+1]} || 1M= [(270k + 13,8k)/5,52] || 1M = 51,4 k || 1 M = 48,9 kOhm

Still acceptable for a 12AX7 and very good sounding with the right considerations.