Post your Analogue Source pics here

My self designed and self built RIAA amp.
  • MM & MC
  • Adjustable load capacitance for MM and load resistance for MC
  • Adjustable gain, 4 steps
  • DC servo to eliminate unnecessary coupling capacitors
  • Active/passive RIAA network with 0.1 % thin film resistors, 2 % PPS caps
  • RIAA accuracy better than +/-0.1 dB
  • Mute circuit to eliminate pops at power-up and off
  • Low noise and ultra low distortion
  • 4-layer PCB with good GND plane for low noise

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I recently did a couple of these and had the enclosure CNC machined:

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Example frequency response deviation (jumps at low frequecies caused by QA software settings). Note the Y-axle span.

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I may post a dedicated thread about this one if there's interest.

Risto
Please,post a dedicated thread!
Thanks
 
I have thought about magnetically levitated platters. If totally suspended by magnetics, would there be any 'bumping' from magnet to magnet? If so, would it help to only partially suspend the platter and have say 80% of the weight suspended, allowing for a stabilization of the platter weight during rotation?
 
Changed the arm on the SP10, now using a PMAC AT1010 Mk8. Running a Goldring Elite MC cart

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Hi Deadhead;

I'm rereading the thread, looking hard at Adelmo's suspension. With more spare time, I'm ready to make my plinth "float". One gets tired of having to tip toe around the room!

The platter magnets are rather large compared to what's available. As to whether the force is doubled, you would have to study Earnshaw's theorem. It is significantly more than singles. What gets me, is that after a few years, it hasn't sagged any.

I see that platters are available again on ebay.com. Search for...
60T Super Sound Aluminum Platter+Tungsten steel Maglev bearing for Turntables

Cheers; Glenn


Hi Glenn,

Any progress with your TT?

Rgds

Adelmo
 
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I think my 8th or 9th DIY retip. Supex SD-909. Sounds fantastic with a Naimiki Shibatata in place. Quite a bit heavier than the SD-900 Super I retipped with a line contact ruby cantilever, and the 909 is happier with a bit more tracking force (2.1-2.3 or so right now). Now I gotta figure out how to get all the old melted yellow rubber off of the coils... I am sure that is why it's tracking heavy.
 
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I finally completed the build of the HPS6.1 after the final demise of the 5.1. (See here). This is far better with the servo locking on very quickly. As I didn't have a hot air gun I elected to use the pre-tracking regulators I'd built for the previous amp rather than those the PCB is designed to use. I also recycle some of the metalwork.

It's extremely quiet, accurate, and dynamic and does justice to my high-end cartridges. It also has a very high gain in both Low and High configurations (69 and 54 dBs respectively), this could be too much for certain cartridges. I'm not sure if altering the feedback resistors to reduce such would cause an issue (excessive current in the loop for example).

Many thanks to Ovidiu for sharing this design.

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Walnut with about 6 coats of Finishing Oil. I made the enclosures from MDF spray finished in matt black while the back panels are from mild steel (see attached). If I could find a source I would like to have a badge on each box, that would give it a final touch I feel ('HPS6.1 - Phono Amp' and 'HPS6.1 - Power Supply')


Regards,

Karl
 

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