Hornresp

A flipped driver in a BP4 is still a BP4. The speaker basket (flipped driver) in the vented chamber aids in voicecoil cooling.

BLH or RLH are nothing more than a BR enclosure with a positive flare port. See Scoops. When the driver is in the horn's path, then the enclosure acts like a TH. So, you can model certain BLH/RLH's with the TH function in HR.

BLH/RLH

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BLH/RLH that can be modeled as a TH with a compression chamber.

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I kind of like this TH. I tried to make an isobaric 6th order band pass about 25 years ago and it just sounded like crap. I don't know if they all sound like a big boom box, or if I just got the ports all wrong. I kind of like having the driver diaphragm exposed like a RLH or TH where it is very visible. I am trying to make some sub 100Hz boxes for a 4 way speaker mostly for music and don't want to turn the sound into doof doof.
 
look at the -24dB slope high pass filter affect vs the 12 dB hi and lo pass . It’s all 4 x 6dB/octave (4th order ?)

I wonder what a ‘TL’ is if it has an 18dB slope ? 3 rd order?
 

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nonetheless the power response you posted clearly shows comb filtering

I used a cylindrical tube rather than a flared horn to highlight the combing effect.

How is one supposed to deal with that ?

The combing effect is nowhere near as pronounced if a realistic horn flare is used instead. Try it for yourself.

To further reduce the effect a chamber can be added between the rear of the driver and the horn throat to act as an acoustic low pass filter.
 
Hi,
playing along with Hornresp I came along a desktop labyrinth TL. I have found what I think is a nice alignment. I hope on just ligning it with fool felt. But I need quite a lot of damping to kill the upper harmonics in the region of 450-600Hz.
The box will be 3 times folded, so I dont know they might be eaten up by the folds? I am unsure on how important they still are.
I attached 3 frequency graphs with different stuffing applied. I assume when I set a filling about 50 I might get along with lining with wool felt?
babylabschp90_light.PNG babylabschp90_medium.PNG babylabschp90_heavy.PNG
 
I think the folds will kill the upper harmonics.

If you read some of infamous tapped horn threads, some of the designers mention running the enclosure without a low pass filter and still sounding good to their ears. That's why I don't sweat anything after 100hz. Once you put a realistic low pass filter on the enclosure, all that harmonic crap is NULL AND VOID. And, you still have the option to add stuffing. See the 4 $29 JBL 12's Devastator thread on avsforum.com. They have before and after distortion measurements with 2 pillows in the enclosure.
 
For what. I'm not listening to the enclosure that high in frequency, especially with the 12dB slope low pass filter @ 80hz from the AVR and 12dB slope low pass filter @ 200hz from the subwoofer amplifier. The T-TQWT enclosure has done me just fine since 2012 with the original driver. I got 15" PA 2 ways handling 80hz on up.

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I used a cylindrical tube rather than a flared horn to highlight the combing effect.



The combing effect is nowhere near as pronounced if a realistic horn flare is used instead. Try it for yourself.

To further reduce the effect a chamber can be added between the rear of the driver and the horn throat to act as an acoustic low pass filter.
Thank you David.
I added a chamber in the input parameters window and it does a very good job at reducing the comb filtering as well as improving low end response.
The chamber parameters in Hornresp (Vrc-Lrc) are for a closed chamber, while in BLH it is an open coupling chamber so I wonder if the simulation of the chamber in hornresp is accurate enough also for a BLH, or if the coupling chamber would be better calculated separately instead.
Possibly also according to MJ King's document linked by @woodo where the coupling chamber is discussed also in relation to the position of the driver and throat within the chamber. Not sure if the difference is relevant (if any).
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