Does anyone here have the list of parts of the crossovers as used in the BM15p and the audience 7? I have both, and it's about time to replace them.
As i keep reading, Dynaudio seems to use parts that are not up to the standards (or price) of the brand. Any recommendations?
This old post might be of interest https://www.diyaudio.com/community/...-2-box-and-filter-drawings-schematics.384017/
Quite unusual nowadays if Dynaudio used an all-pass filter on the tweeter.
The quick and dirty new XO would be to switch to 2nd order on woofer and 3rd order on tweeter. A good project if you have measuring equipment?
Or might be a good test of the "design speaker without measurements" sticky thread.
Quite unusual nowadays if Dynaudio used an all-pass filter on the tweeter.
The quick and dirty new XO would be to switch to 2nd order on woofer and 3rd order on tweeter. A good project if you have measuring equipment?
Or might be a good test of the "design speaker without measurements" sticky thread.
I would have been surprised had there been anything special about the woofer.
The BM15 is part of the first generation of dedicated monitors by Dynaudio (they named their pro-audio branch Dynaudio Acoustics) which was designed by Andy Munro. Part of the reason Andy got the job was probably because his own company Munro Acoustics used off-the-shelf Dynaudio drivers for the monitoring systems they supply as part of their studio designs.
The 24W100 is still in their C4: Munro Acoustics Monitoring for music
BM15 nearfield monitor - The most powerful BM speaker
I recently doubled checked with dynaudio and they told me the midbass is the "24w100xl" don't know iheres any difference between this and the non xl version . the older spec sheet I saw for the 24w100 showed a foam surround nor rubber as mine have . I really like the sound of these but the dispersion is not uniform I can't imagine there's any way to improve it except putting a smaller midrange driver in there and redoing it as a three way? . After all I still prefer this to the active version which has a different tweeter crossover slopes and an ever-present harsh upper mid and trebble