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Positive feedback for amplifier input stage

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Dave Hafler uses it in his amps. For example, check the phonostage of PAS3, where the positive feedback is between the cathodes.

Deliberately applied in order to boost the open loop gain - a juggling act that if carried to the extreme results in an oscillator, and also significantly increases distortion IMLE. IIRC in the case of the PAS 3 the increase in open loop gain was something like a few dB. There are number of issues with the design of the PAS 3 phono stage, probably the most critical of which is the extreme loading on the second stage. See: Spice and the art of preamplifier design, Part 1
 
IIRC, Stuart Hegeman, then working for Harman-Kardon (or just before he went there?), either pioneered, or was an early adopter of this practice, in the late 1950s. My HK Award A300 has this circuit design... 12AX7 driver, 12AU7 phase splitter, 6V6 PP outputs. I'm about to build an elaborate integrated amp, using the Harman HK250 circuit design (PP 6L6s)... it uses a 6CG7/6SN7 type tube for the input driver and phase splitter, with the positive feedback increasing the open-loop gain... allowing a decent amount of feedback, while still having enough gain for a good preamp stage to be able to drive it, easily...

Regards,
Gordon.
 
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