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I just saw an amplifier schematic where the input stage had about 2 dB of POSITIVE feedback from the driver, within a global NEGATIVE feedback loop of around 20 dB.
The designer made much of this as contributing to a "powerful sound". It appears to me that he simply has 18 dB of negative feedback, but am I missing something?
Regards, Bill.
I just saw an amplifier schematic where the input stage had about 2 dB of POSITIVE feedback from the driver, within a global NEGATIVE feedback loop of around 20 dB.
The designer made much of this as contributing to a "powerful sound". It appears to me that he simply has 18 dB of negative feedback, but am I missing something?
Regards, Bill.
According the way the positive feedback is applied to an input stage, f.e. at the anode of a triode, it may increase its drive capabilities while reducing distortion.
An ancester of the CCS load also know as bootstraping.
Yves, Worst guru.
An ancester of the CCS load also know as bootstraping.
Yves, Worst guru.
Dave Hafler uses it in his amps. For example, check the phonostage of PAS3, where the positive feedback is between the cathodes.
Dave Hafler uses it in his amps. For example, check the phonostage of PAS3, where the positive feedback is between the cathodes.
Deliberately applied in order to boost the open loop gain - a juggling act that if carried to the extreme results in an oscillator, and also significantly increases distortion IMLE. IIRC in the case of the PAS 3 the increase in open loop gain was something like a few dB. There are number of issues with the design of the PAS 3 phono stage, probably the most critical of which is the extreme loading on the second stage. See: Spice and the art of preamplifier design, Part 1
IIRC, Stuart Hegeman, then working for Harman-Kardon (or just before he went there?), either pioneered, or was an early adopter of this practice, in the late 1950s. My HK Award A300 has this circuit design... 12AX7 driver, 12AU7 phase splitter, 6V6 PP outputs. I'm about to build an elaborate integrated amp, using the Harman HK250 circuit design (PP 6L6s)... it uses a 6CG7/6SN7 type tube for the input driver and phase splitter, with the positive feedback increasing the open-loop gain... allowing a decent amount of feedback, while still having enough gain for a good preamp stage to be able to drive it, easily...
Regards,
Gordon.
Regards,
Gordon.
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