The dome midrange thread

Here's the HiVi DMN-A FR. The bandwidth is much wider than the RS52AN.
DMN-A_RAW_NO_BAFFLE_ON_AXIS.gif


Very close to HiVi FR.
DMN_A_ManuFR_709.jpg


And my TS with DATS.
DMN-A_TS.gif
 
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@Michael Chua How old are your DMB-As? Qms is more than 4.0, Qts is over 1 5, Le is 0.12mH@10k and Fs is 660hz on most of mine. I played 300hz @ 4V for a few hrs to break them in and there was little change.

You mentioned an LCR trap at Fs, which I feel is mandatory to get decent lower mid performance on these things. By the time you factor in the parts cost of an Fs LCR, the price doesn't look that attractive anymore.

The main problem I'm seeing with the current batches of these mids is inconsistencies in TSPs depending on date of manufacture. It would require matching up each pair to specific xover implementations. This appears to be a common issue with cheap mid domes IMO.

The Morel MDM55 may be expensive in comparison, but its a much more refined and better performing driver which is alot easier to work with, plus its very consistent.

Based on overall performance and price, the Morel MDM55 (CAM558) and ScanSpeak D7608-9200 are the best choices for readily available dedicated mid domes. I'd consider a cone driver over the bargain basement domes in most cases unless you want to do alot of xover design to get the best from the cheap domes. Then you have the issue of finding replacements if something goes wrong, which IMO is the greatest risk of using budget drivers. You should always buy spares from the same batch/date just to be sure.
 
Going back to post #84...I have two Dayton RS52F's on hand. Do I sell them and get the $30 HiVis? I haven't actually seen the RS52F's used much, and definitely haven't heard them myself, so I kind of want to see if I can make them work.
I built a front three of the Zaph 3.5's back in the day....sounded great then....i still use the center channel in my main theater today.....the vocal clarity on speech and singing is eerie. These are 52A's though so take the above with a grain of salt......no breakup mode though
 
I have played with the RS52ANs a bit and agree that they sound clean. But it is up to the designer to protect them. I have used them crossing at 600Hz 4th order, but I would recommend going no lower than 700Hz, crossing to 6.5" to 8" woofer.
They have decent power handling, I cross them at 800Hz second order to a 7" woofer. The bigger issue IMO is rolling them off at say 3,500 - 4,000 Hz to avoid the break up that occurs around 10-11 kH.
 
Do you have an example of a filter that tamed that breakup?
I use the online calculators below depending on whether I have a sim program handy. Its essentially a series or parallel notch (sometimes a combination depending on severity of peak) which either increases or decreases impedance at that peak for less output. The series notch (used in parallel with the driver) needs some kind of resistance (ie low pass or high pass components of filter) in series to not end up with a difficult to drive impedance dip, but its arguably more effective at dampening the resonance independent of driver load impedance. The parallel notch is easier to implement but is impedance linearity sensitive ie any driver induced impedance fluctuations will interact with the notch circuit (usually unfavorably) causing unpredictable filter output variances.

In your case you want to remove the 10k ish dome resonance peak. There is a potential drawback doing this depending on if the peak frequency wanders moving off axis of the dome. The issue usually shows up with tall dome profiles causing a phase shift due to the speed of sound within the dome being faster than the airborne sound emitted from different locations around the dome surface. The best way to deal with this is using a small phase shield (ie piece of thin felt about 10 - 15mm in diameter glued to center of front grille). In many cases the phase shield alone will attenuate the peak sufficiently without the electrical filter. YMMV

www.mh-audio.nl/Calculators/ICTAPX.html

www.mh-audio.nl/Calculators/parallelnotchfilter.html
 
For those wondering whats under the felt of the SS D7608, here's a picture.

The felt (removed to test various chamber and dampening configurations) provides flow resistance to the dome. However, its synthetic based material which isnt sufficient in quantity or quality to lower the system Q to the point of reducing low end response overshoot to reasonable levels for better linearity, lower THD and impulse response. Not addressing this area properly leads to compromised performance which has tarnished this otherwise excellent mid's reputation. If this issue is overlooked, the dome won't achieve its full SQ potential.

The dampening mod is too long and detailed to fit in one post. I'll try to explain most of it soon, but for starters the goal is to drop system Q to under 0.8 (from over 1.5 in stock form). I've tried various notch filters at Fs to achieve this, but the mechanical dampening is far more effective and vastly improves performance when the dome is crossed under 800 hz. Without extra mechanical dampening, the dome will struggle to play loud and produce a very shouty sound. More to follow...
 

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