A simple discrete one-watt amplifier

Being a pretty much beginner in audio amplifier building scene, here is a simple discrete amplifier I designed in Ltspice. I have not yet built it, but will plan to do so as soon as I have a free weekend (or two). There are most likely many technical inaccuracies concerning this design, so if there is something I should change in the schematics or do differently, I would be glad to hear your suggestions.

The component selection is based on what I have on hand.




The schematics, only one channel shown 🙂

Discrete Wattnik schematics.png






I ran some simulations as well, here is the response curve...

Discrete Wattnik frequency cutoff.png






... and the THD data at full power. It gets down to 0.002% and less at smaller output power levels.

Discrete Wattnik THD.png
 
There's a lot of stuff that could be said but if you are going to actually build it then I'd hate to see a bunch of suggestions come flooding in which result in your going around the loop with simulations - getting something built is a where it's at.

Parasitic oscillations can be a bear, current mirrors and Darlington topologies are not immune from this and you may want some small capacitors handy in case things don't quite behave. An r.f. filter on the input may also be wise - small cap to gnd after R1 etc.

Start with a dummy resistive load instead of a real speaker.
 
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I would start very simply. A simple little single ended. One or at most two steps.

#1 is basically not an audio amplifier at all. And far too complex for the targeted 1 watt. Because electronic parts modulate current. Audible. And complementary transistors modulate audibly very differently. Unfortunately, this is not taught in any electronics training courses. Some noise may come out here, but compare it with the clean sound of a small 1 watt SE;-)
An audio related categorization would classify this as a 4-stage half-wave unsymmetrical complementary transistor push-pull amplifier. The most audio unsuitable category in the analog range.
If you still want to build it: bridge D1 and D2 with a very neutral and clean sounding capacitor > 100 uF.
 
Many thanks for suggestions and advice, I actually built it and added additional emitter resistors to the current source plus made some other tweaks.

Yes, it is not a "simple" amplifier as Jxdking and Cumbb have pointed out and not quite beginner friendly.

Of course, it oscillated like crazy, but then I added 100pF bypass capacitors between the push pull final stage driver transistors bases and collectors, and removed one stage of the darlington pair. And got it to work! Well, it actually sounds very good in comparison to my other amp projects (well, maybe the OPA2132 based headphone amp sounds better...), and consumes surprisingly little power when idle.

Now gotta break out the o'scope and do some performance testing...

1000010045.jpg
 
I only see TO-18/-39 transistors (except for the TIPs). These are among those with the lowest sonic potential. I would try the TO-92 types. Unless you have any multi-way speakers that tend to sound rather dark sound rather dark and leave a lot on the way.
 
I will try to find some TO-92 packaged 2n2907 transistors and swap these in, the local distributor only had those metal can versions on stock when I ordered them.

Some torture tests are now ready and the amp is capable of producing 1.5 W with 1kHz sine wave into 8 ohm load just before the clipping starts.

The problem is the distortion I still receive. I am not very familiar with the FFT math on my Siglent 1104X-E, so there may be some inaccuracies, but I calculated the THD to be 0.17% at full power, but still 0.10 - 0.12% at lower powers. Mostly 2nd to 6th harmonics at -70...-80 dBV when main 1kHz signal is at -6dBV. Not good, not terrible, I assume...
 
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Another audio elektronic tip: Your Sziklais each consist of a complementary pair. Since complementary transistors sound enormously different, it is possible to use a complementary pair here. For reasons of harmony. Each half-wave is then amplified by two equally different tonal characters. Example: TIP41/TIP42 and TIP42/TIP41. Components retain their sound character at every point of their use and function, whether as power or driver or psu or diode or whatever.

Fear not the distortions. Connect and listen first. The ear is very gracious towards THD, almost careless;-) The ear does not like noise, all kinds of noise)-; There is no program for determining and calculating these;-)
 
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Many thanks for suggestions and advice, I actually built it and added additional emitter resistors to the current source plus made some other tweaks.

Yes, it is not a "simple" amplifier as Jxdking and Cumbb have pointed out and not quite beginner friendly.

Of course, it oscillated like crazy, but then I added 100pF bypass capacitors between the push pull final stage driver transistors bases and collectors, and removed one stage of the darlington pair. And got it to work! Well, it actually sounds very good in comparison to my other amp projects (well, maybe the OPA2132 based headphone amp sounds better...), and consumes surprisingly little power when idle.

Now gotta break out the o'scope and do some performance testing...

View attachment 1383224
Well done - a man of action !
 
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Many thanks for suggestions and advice, I actually built it and added additional emitter resistors to the current source plus made some other tweaks.

Yes, it is not a "simple" amplifier as Jxdking and Cumbb have pointed out and not quite beginner friendly.

Of course, it oscillated like crazy, but then I added 100pF bypass capacitors between the push pull final stage driver transistors bases and collectors, and removed one stage of the darlington pair. And got it to work! Well, it actually sounds very good in comparison to my other amp projects (well, maybe the OPA2132 based headphone amp sounds better...), and consumes surprisingly little power when idle.

Now gotta break out the o'scope and do some performance testing...

View attachment 1383224
Could you show a new schematic including your tweaks?
There are a few points I would do different in such a circuit.
 
I like it;-)

I would also have reduced Q1 and Q2 to just one transistor. PN transitions draw a technical, artificial, slightly cloudy and slowed-down curtain in the sound image. Diodes too. There are very few transistors and diodes where it is not very audible.

I would later combine Q6 - Q9 into just one transistor, including the one or two necessary resistors. Same reason.
A very clean-sounding electrolytic capacitor at its base would open up the stage enormously - a matter of taste and system.

I would replace D1 and D2 with a resistor at sometime. Practically use a trimmer here to set the ideal value. Or look for two very clean-sounding diodes. Because sound is also made here, modulated: the sonic cleanliness, but also the character of the components can be heard.
The best-sounding resistors are SMD film resistors or MELF.

R3 I would remove, just try and listen. C2 and C5 simply adapt as required.

R8 and R11 just one resistor. I assume you have determined an exact value here, but experience shows that the ear is more likely to pick out further material parts than a deviating conceptual value. Or use a trimmer, they sound a bit better than wired resistors.

After listening for a while, remove the capacitor C8 and listen;-)

The whole thing here is built without a board: this saves unnecessary paths and connections, which again has a positive effect on the sound.

Cool thing. In my experience, it hardly gets any better in the complementary transistors push-pull range. And the 1 paper watt sound at least like 10;-)


These TIPs are TO-220 transistors generally suitable for audio. I have a few batches that are all in the audio range - with transistors you can hear very clearly that each batch sounds different.
Much later, when you know the sound of this amp very well, make a cut in the TO-220 as shown. And report;-)
 

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Much later, when you know the sound of this amp very well, make a cut in the TO-220 as shown. And report;-)
@cumbb I think it is nicer if you limit your paraphilic audiophile nonsense to those threads were experienced technicians can assess the absurdity what you usually blabber. And not in threads were inexperienced beginners try to put their first steps in audio electronics.

Things like the case type of a transistor, the amount of solder on a joint or the directivity of copper only make a difference to your ears or imagination. Sometimes I think it is funny to read the fantasies you come up with. But please, post in in the threads were you don't confuse people with less experience.