Most of us do a bit of homework before buying something expensive. If you can't hear any difference then it ain't worth spending the money on buying anything more expensive.
A true audiophile player is one that doesn't act like a snob, but sounds good and modest and humble. 🙂
LOL
The difference between a normal competent CD player and an audiophile player is;
a load of seductive marketing prose involving some reference to quantum, a linear power supply because we all know SMPS's are the work of the devil, a sub femtosecond jitter clock remote from where it needs to be and connected by some long wires adding impedance mismatches.
Oh and a ridiculously inflated price and preferably some valves somewhere.....
The difference between a normal competent CD player and an audiophile player is;
a load of seductive marketing prose involving some reference to quantum, a linear power supply because we all know SMPS's are the work of the devil, a sub femtosecond jitter clock remote from where it needs to be and connected by some long wires adding impedance mismatches.
Oh and a ridiculously inflated price and preferably some valves somewhere.....
The difference between a normal competent CD player and an audiophile player is;
a load of seductive marketing prose involving some reference to quantum, a linear power supply because we all know SMPS's are the work of the devil, a sub femtosecond jitter clock remote from where it needs to be and connected by some long wires adding impedance mismatches.
Oh and a ridiculously inflated price and preferably some valves somewhere.....
For daring to write this, you will be tarred and feathered in a medieval act of retribution. May the Force be with you.
LOL
The difference between a normal competent CD player and an audiophile player is;
a load of seductive marketing prose involving some reference to quantum, a linear power supply because we all know SMPS's are the work of the devil, a sub femtosecond jitter clock remote from where it needs to be and connected by some long wires adding impedance mismatches.
Oh and a ridiculously inflated price and preferably some valves somewhere.....
Obviously written by someone who is proud of his £100 high street junk hi-fi.
Obviously written by someone who is proud of his £100 high street junk hi-fi.
LOL so patronizing. You don't know what I have use or listen to so you cant comment, but it is the usual response, along with cloth ears etc.
To be quite honest if they engineered the products properly for the price (and some do, multilayer PCB with multiple ground planes for the digital) instead of adding Audiophile drool items, such as Bybee slipstreems etc. then I may not be as cynical, oh and maybe a bit more reality in there marketing rubbish.
A competent CD player, is one that is engineered to do the job:
A drive mechanism that is both reliable and reads discs with the minimum of errors, a digital/analogue section that is on well laid out multi-layer PCBs to optimise the signal integrity. A power supply (linear or SMPS) that is up to the job.
LOL anyway back to listening to my £100 high street junk, ho ho ho, by the way is that cost to cover my whole system.......
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Well, with a dac that bad, some spdif cable swapping (or transport tweaking) is bound to have a very large effect... totally not solving the right problem though.
Ah, Yes. I remember, the CD723... its buggy volume control corrupting the bits... its power supply so cheap that finger-tapping on the box would, via the laser pickup servos current draw, make all voltages inside wiggle, even the SPDIF output would dance on the scope...
Ah, Yes. I remember, the CD723... its buggy volume control corrupting the bits... its power supply so cheap that finger-tapping on the box would, via the laser pickup servos current draw, make all voltages inside wiggle, even the SPDIF output would dance on the scope...
A competent CD player, is one that is engineered to do the job:
A drive mechanism that is both reliable and reads discs with the minimum of errors, a digital/analogue section that is on well laid out multi-layer PCBs to optimise the signal integrity. A power supply (linear or SMPS) that is up to the job.
That also covers 10K +$1 specimens.
Yeah, but Jacco, I can only afford £10-20 that leaves me 80-90 for amp and speakers!!!
I like the look of some of the silly priced ones, but would I buy one, no, over priced.
I have ripped all my CD's to hard drive (using Windows Media Player MP3 96kbps, cos that's what us sub £100 system people use, nothing fancy like EAC) thus getting rid of one of biggest problems in CD playback, the mechanical based reading of the CD.
I like the look of some of the silly priced ones, but would I buy one, no, over priced.
I have ripped all my CD's to hard drive (using Windows Media Player MP3 96kbps, cos that's what us sub £100 system people use, nothing fancy like EAC) thus getting rid of one of biggest problems in CD playback, the mechanical based reading of the CD.
Pair of JBLs from pawnshop 70€
Technics amplifier from pawnshop 20€
Best sound I've ever heard for ... actually for less than 10x the price... those JBLs were damn good, pity it was a gift for an ex-gf...
Technics amplifier from pawnshop 20€
Best sound I've ever heard for ... actually for less than 10x the price... those JBLs were damn good, pity it was a gift for an ex-gf...
A competent CD player, is one that is engineered to do the job:
This was a pretty good player
Sony CDP-XA7ES CD player | Stereophile.com
(1996, unbelievable)

Most of the time the better players will have far better DACs and better audio circuitry generally.
That is most likely true.
I originally was using what I thought was a very good Teac CD deck
Then I tried a NAD (C-516BEE) deck and the difference /improvement is noticeable .
How can we say that audio circuits in all CD decks are the same?
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I still have floating around my Audiolab 8000A, a kenwood Trio CD player, a Technics Tape deck, Marantz CD63SE, (lent my KEF 102/4s to someone) and a few other bits from the early to mid 90s, but then you could walk into most electrical outlets and they would have proper HI-Fi sections with separates, now you walk in curry's or similar and the 'Hi-Fi' section consists of speakers smaller than a shoe box, with a super woofer with a 6" driver, a main unit that weighs less than a hummingbird yet delivers 1000Ws!!!!!
I remember that Sony player, I was looking for a new CD around then 95/96, ended up with the Marantz CD63 Se.
Electronics companies would invest in this stuff then as there was a market, now so many are happy listening to heavily compressed MP3's on their phones, so we all loose out to an extent on affordable music fidelity.
I remember that Sony player, I was looking for a new CD around then 95/96, ended up with the Marantz CD63 Se.
Electronics companies would invest in this stuff then as there was a market, now so many are happy listening to heavily compressed MP3's on their phones, so we all loose out to an extent on affordable music fidelity.
How can we say that audio circuits in all CD decks are the same?
I think the question was about cd player as digital transport... in which case they are mostly all the same unless the DAC is badly designed...
As for the analog part of CDPs, well of course there are lots of differences... noone would argue with that...
ripped all my CD's to hard drive
Grand, next you'll be adressing $50k music servers.
On E-Bay at the moment are several examples of Arcam's flagship the CD37, all at a bargain price.
Grand, next you'll be adressing $50k music servers.
I hope he hasn't turned them all into ghastly MP3's.
There was a lot you could do do upgrade the Sony, particularly with low jitter clocks and improved audio circuitry.
I had the XA9ES (it was over 10 years ago so I might have the model number wrong), which was sadly inferior to the Arcam 8 at the time.
On E-Bay at the moment are several examples of Arcam's flagship the CD37, all at a bargain price.
They are all ruined by playing MP3's. It is a known fact that MP3's are destroying the sensitive audiophile DAC's.
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