Can you add internal bracing to commercial speaker?

is that more the ‘ British ‘ BBC thinking?
and why they don’t brace their cabinets and only dampen them?

thanks!

The loudest noise from a cabinet generally comes from resonances within the passband of the drivers (cabinets without resonances in the driver passband are an exception). Bracing changes the stiffness and mass of the cabinet leading to different resonant frequencies and resonant shapes. However, it doesn't change the magnitude of the resonance because at a resonance the forces due to stiffness and inertia/mass are 180 degrees out-of-phase and cancel. That's what resonance means. The size doesn't matter because they cancel. What reduces the magnitude of resonances is damping. The damping from wood and the various joints and fixings in a cabinet is small leading to high Q resonances typically of tens of dB in magnitude. A modest amount of effective damping can reduce those high Q resonant peaks by ten and sometimes tens of dB. Since these are generally the loudest sounds radiated by the cabinet the cabinet becomes ten and sometimes tens of dB quieter.

If I recall correctly the KEF paper shows bracing raising the frequency of the main problematic resonance but leaving the magnitude unchanged whereas damping reduced it by 30 dB or so. The unchanged magnitude of the resonance due to bracing speaker walls is shown by pretty much all measurements or simulations since it is simply reflecting the physics of what increasing wall stiffness does. The amount of reduction shown by KEF due to damping is larger than typical but they had only one troublesome resonance the shape of which they understood and targeted effectively with a larger than typical amount of damping.

Note that increasing stiffness can make a speaker cabinet quieter if the physics is understood and you know where and why increased stiffness will help. Engineers at the larger established speaker companies like KEF possess this knowledge whereas most DIYers don't because they haven't studied engineering. They look to what has been done in the past, what other DIYers say and do particularly those with websites, hand waving arguments based on a range of dubious premises, what feels right, etc... and come to a general view that bracing the hell out of everything will make a cabinet quieter. It doesn't but the difficulty of measuring the sound radiated by the cabinet, the difficulty of simulating it, the difficulty of understanding the physics (and often a lack of interest in doing so), plus the fact that the sound radiated by a reasonable cabinet is small anyway has lead to this view persisting. I do see the odd post from those with understanding but they tend to be swamped by the larger numbers with enthusiasm. Given it is a hobby one can probably make a pretty good case that enthusiasm should trump knowledge.
 
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Between 5mm & 10mm bitumen on all inside panels depending on which model
About 25 yrs ago I converted a pair of Mission 754F's (large floorstanders)into TL's which included opening up the rear upper half of the cabinets and fitting internal panels to form the line which exited below the bass/mid driver (Seas 18w 8542) and Morel Mid. A tweeter (Monacor DT25N was mounted at the centre of the mid/bass on metal suspension frame(!) I appreciate that many sins were committed in doing this - but it
s still in daily use nearly a quarter century later!
And still sounds great!
 
About 25 yrs ago I converted a pair of Mission 754F's (large floorstanders)into TL's which included opening up the rear upper half of the cabinets and fitting internal panels to form the line which exited below the bass/mid driver (Seas 18w 8542) and Morel Mid. A tweeter (Monacor DT25N was mounted at the centre of the mid/bass on metal suspension frame(!) I appreciate that many sins were committed in doing this - but it
s still in daily use nearly a quarter century later!
And still sounds great!
For anyone to add bracing to a ready built ProAc speaker would have to cut off the front baffle remove the bitumen add the bracing then replace everything back ,
Then have to reveneer it .
It would sound tighter but not as musical as it was before because the cabinet would be stiffer
 
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About 25 yrs ago I converted a pair of Mission 754F's (large floorstanders)into TL's which included opening up the rear upper half of the cabinets and fitting internal panels to form the line which exited below the bass/mid driver (Seas 18w 8542) and Morel Mid. A tweeter (Monacor DT25N was mounted at the centre of the mid/bass on metal suspension frame(!) I appreciate that many sins were committed in doing this - but it
s still in daily use nearly a quarter century later!
And still sounds great!
Have you got a pic to share ?
18w/8542 is a Scanspeak paper coned woofer as in the Proac studio 100
 
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Have you got a pic to share ?
18w/8542 is a Scanspeak paper coned woofer as in the Proac studio 100

and is similar to the bottom woofer in my Proac DT8

the below is a pic of the bottom woofer in my Proac. Although I can’t find any data on it.
730046F8-575E-4707-8E75-03D5942BB97A.jpeg
 
and is similar to the bottom woofer in my Proac DT8

the below is a pic of the bottom woofer in my Proac. Although I can’t find any data on it.
View attachment 1061827
Seas CA18RCY-C is a custom chassis made for ProAc with a bigger lip to accommodate the Proac logo
You can buy the standard CA18RCY with the standard lip for around £70 Proacs would be £300 ish
They both sound the same just made to look different
CA18RCY - C is also in the studio 140
 
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Planet10
The energy that excites potential resonances mostly comes from the reactive force to the drivers cone movement.

This is easy to show: First, half the energy from the air mass moved goes out into the room, but all of the reactive energy gets directly injected into the box, and, with damping in the bo, the highest frequencies from the energy of the moving air will be removed, and should not be an issue at all. In a box with a hole in it, even more of that air mass energy is sent out into the room and is not available for exciting box resonances.

Andy’s suggestion that adding a brace from the baffle to the back could cause the speaker to literally do a bendy dance, makes little sense to me. We are making the box more like an i_bem than a plane panel. Rarely will this be less structurally solid.

As Allen suggested tieng the baffle to the back distributes the energy being injected into the baffle between the baffle & the back. So less energy on either panel to cause that potential resonance to get excited.

The goal of adding bracing is to push potential resonances up high enuff that they will not be excited. If they are not excited (by the music) it is s if they do not exist.

Why up? Because there will be less energy at high frequencies to excite the box, and as the frequency goes up the box material (and to a small extent the damping) will more effectively provide damping at those frequencies. If one can make the potential box resonance a high Q one, then it is even less likely to get excited as one will not get the steady input at a particular frequency to set the resonance going.

You will never get rid of potential resonances, you can only put them where they won’t get excited.

The OP is doing a band-aid bracing after the fact, it will not be as effective as more significant bracing, but it will push resonances up.There is a small chance of getting it just so that it does something bad, but that changes when you decide it needs another brace.

dave


would changing out some of the lining which now is some sort of poly foam , with wool felt make for cleaner mids and highs?
something from here?
https://www.mcmaster.com/wool-felt/...alPath=wool-felt/firm-felt-sheets-and-strips/

here are a couple pics with the poly foam lining in the speaker currently.

F10509AA-9929-4E26-88EA-43FF0BF72484.jpeg


330C97AD-2D0F-48CD-9A04-B0C765455781.jpeg
 
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Depends. Foam is usually used because it is consistent and low kabour to install.

Some ML-TLs are just lined, some with volue fill. All those i have done have been volume fill with either teased UltrTouch Insulation or well teased Acoustastuff.

You can tune the response to suit the room, placement and your taste. They should both also be considerably better at killing mid/top frequencies.

dave
 
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